[W]ords are no more labels of things than the sky is a styrofoam wrap of some Divine carryout shop. And letters are no more tied to words or words to sentences than a mule is tied to its burden.
My Spaceship (Cy Gist Press, 2006)
Outside Voices: 2008 Anthology of Younger Poets
Bedside Guide to No Tell Motel (No Tell Books, 2007)
reviews
Christopher Rizzo's "Zing" - Boog City
Daniel Nester's "The History of My World Tonight" - Boog City
Jim Goar's "Whole Milk" - Rain Taxi (online)
Ernesto Priego's "Not Even Dogs" - Boog City
needs to be. moderated. translated. from Thank you. for sending. these pieces. considerable. melted. mended. capitalized. clause. process? For which. For what.
aggressive how. regressed. so unspecified. conclusion. different from.
I found out this week that one of my poems was selected for Meridian's Best New Poets 2007 so thank you to Del Sol Review for nominating it!
My review of Zhang Er's chapbook sight progress should be appearing in Boog City soon. If you want to check it out, you can get a copy at Pleasure Boat Studio.
I am in an editing mode now, which is a little discomforting because I'm not writing and there feels like a disconnect there, like something important's missing. Yet I can't seem to be judgmental of what I've written and completely open to new poems at the same time. I'll be happy when I'm back to the creation phase.
I have a video poem up at The Continental Review, a new, original, and refreshing journal edited by Nicholas Manning. I think the journal bridges the gap between visual and textual poetics beautifully and is a kind of venue whose absence I didn't really feel overtly until I found Nicholas' TCR. It satisfies a unique kind of urge to tell a story against the poem, or a poem against the visual cortex, dreaming text into moving image or vice versa. I hope you'll check it out and submit!
in the poem antyblahblahology if i sound like a blithering idol an american gazelle going yap yap yap. well you got me. this is the new ixnay on the critiquenay i would like to see about every poem published. hereafter tome/b. B pushes E out of the way. you get like e. e. kay i am unoriginal. gotcha. with the exception of mine. because only i can dance
The cross, the wreath, and the lip-reader. What good is a fortune on the back of a brown napkin, or an exhortation over the public beach at noon? Your lucky day. The slit wrist ribbons of advertisement seem as a child's fever beside the forebearer. Did you know the sun poses as itself in the square and is all but ignored, framed for its distant third place decolletage, its mime-like caricatures, and goldleaf domes? There is nothing left when I think about you. You have been rising and falling since I was alive to know about the concave subtleties of the word no as in opus contra maternam; and so we conceive against the ledge. Bead of ocean, beware.
My life features more than 4,000 new words, and 100,000 two-to-eight-letter words, including DNA and a set of pedantic bones. The players hide their hands because someone might be sitting on the hanged man. The price of virgen de la Soledad: $9.99 (+ tax if you live outside DE). Boy with the railroad around your wrist. May I have the cracking mulberry bush? May I have thorns to cool the inhumed paddlewheel? Oars outdated in every sense of an emergency are soft lambswool spine-savers. Mouth of monthly phone species, a society: those "claymakers" grow grotesquely happy each time you hang up on them.